Friday, 25 April 2008

Physics Education

Physics Education

Main article: Physics Education

Physics Education refers both to the methods currently used to teach physics, and to an area of pedagogical research that seeks to improve those methods. Historically, physics has been taught at the high school and university level primarily by the lecture method, together with laboratory exercises aimed at verifying concepts taught in the lectures.

Applied physics

Applied physics

Main article: Applied Physics

Applied Physics is a general term for physics which is intended for a particular use. Applied is distinguished from pure by a subtle combination of factors such as the motivation and attitude of researchers and the nature of the relationship to the technology or science that may be affected by the work.It usually differs from engineering in that an applied physicist may not be designing something in particular, but rather is using physics or conducting physics research with the aim of developing new technologies or solving a problem. The approach is similar to that of applied mathematics. Applied physicists can also be interested in the use of physics for scientific research. For instance, people working on accelerator physecs might seek to build better particle detectors for research in theoretical physics.

Physics is used heavily in engeeniarin For example statics, a subfield of mechnics, is used in the building of bridges or other structures, while acoustics is used to design better concert halls. An understanding of physics is important to the design of realistic flight simulators, video game physics engines, and movies.

Astrophysics in Physics

Astrophysics

Main articles: Astrophysics and Physical cosmology
The deepest visible-light image of the universe, the Hubble Ultra Deep Field

The deepest visible-light image of the universe, the Hubble Ultra Deep Field

Astrophysics and astronomy are the application of the theories and methods of physics to the study of stellar structure, stellar evolution, the origin of the solar system, and related problems of cosmology. Because astrophysics is a broad subject, astrophysicists typically apply many disciplines of physics, including mechanics, electromagnetism, statistical mechanics, thermodynamics, quantum mechanics, relativity, nuclear and particle physics, and atomic and molecular physics.

Astrophysics developed from the ancient science of astronomy. Astronomers of early civilizations performed methodical observations of the night sky, and astronomical artifacts have been found from much earlier periods. After centuries of developments by Babylonian and Greek astronomers, western astronomy lay dormant for fourteen centuries until Nicolaus Copernicus modified the Ptolemaic system by placing the sun at the center of the universe. Tycho Brahe's detailed observations led to Kepler's laws of planetary motion, and Galileo's telescope helped the discipline develop into a modern science. Isaac Newton's theory of universal gravitation provided a physical, dynamic basis for Kepler's laws. By the early 19th cent., the science of celestial mechanics had reached a highly developed state at the hands of Leonhard Euler, J. L. Lagrange, P. S. Laplace, and others. Powerful new mathematical techniques allowed solution of most of the remaining problems in classical gravitational theory as applied to the solar system. At the end of the 19th century, the discovery of spectral lines in sunlight proved that the chemical elements found in the Sun were also found on Earth. Interest shifted from determining the positions and distances of stars to studying their physical composition (see stellar structure and stellar evolution). Because the application of physics to astronomy became increasingly important throughout the 20th century, the distinction between astronomy and astrophysics has faded.

The discovery by Karl Jansky in 1931 that radio signals were emitted by celestial bodies initiated the science of radio astronomy. Most recently, the frontiers of astronomy have been expanded by space exploration. Perturbations and interference from the earth’s atmosphere make space-based observations necessary for infrared, ultraviolet, gamma-ray, and X-ray astronomy. The Hubble Space Telescope, launched in 1990, has made possible visual observations of a quality far exceeding those of earthbound instruments; earth-bound observatories using telescopes with adaptive optics will now be able to compensate for the turbulence of Earth's atmosphere.

Physical cosmology is the study of the formation and evolution of the universe on its largest scales. Albert Einstein’s theory of relativity plays a central role in all modern cosmological theories. In the early 20th century, Hubble's discovery that the universe was expanding, as shown by the Hubble diagram, prompted rival explanations known as the steady state universe and the Big Bang. The Big Bang was confirmed by the success of Big Bang nucleosynthesis and the discovery of the cosmic microwave background in 1964. The Big Bang model rests on two theoretical pillars: Albert Einstein's general relativity and the cosmological principle. Cosmologists have recently established a precise model of the evolution of the universe, which includes cosmic inflation, dark energy and dark matter.

High energy/particle physics

High energy/particle physics

Main article: Particle physics
A simulated event in the CMS detector of the Large Hadron Collider, featuring the appearance of the Higgs boson.

A simulated event in the CMS detector of the Large Hadron Collider, featuring the appearance of the Higgs boson.

Particle physics is the study of the elementary constituents of matter and energy, and the interactions between them. It may also be called "high energy physics", because many elementary particles do not occur naturally, but are created only during high energy collisions of other particles, as can be detected in particle accelerators.

Currently, the interactions of elementary particles are described by the Standard Model. The model accounts for the 12 known particles of matter that interact via the strong, weak, and electromagnetic fundamental forces. Dynamics are described in terms of matter particles exchanging messenger particles that carry the forces. These messenger particles are known as gluons, W- and W+ and Z bosons, and the photons, respectively. The Standard Model also predicts a particle known as the Higgs boson, the existence of which has not yet been verified.

Atomic, molecular, and optical in Physics

Atomic, molecular, and optical

A military scientist operates a laser on an optical table.

A military scientist operates a laser on an optical table.

Atomic, molecular, and optical physics (AMO) is the study of matter-matter and light-matter interactions on the scale of single atoms or structures containing a few atoms. The three areas are grouped together because of their interrelationships, the similarity of methods used, and the commonality of the energy scales that are relevant. All three areas include both classical and quantum treatments; they can treat their subject from a microscopic view (in contrast to a macroscopic view).

Atomic physics studies the electron hull of atoms. Current research focuses on activities in quantum control, cooling and trapping of atoms and ions, low-temperature collision dynamics, the collective behavior of atoms in weakly interacting gases (Bose-Einstein Condensates and dilute Fermi degenerate systems), precision measurements of fundamental constants, and the effects of electron correlation on structure and dynamics. Atomic physics is influenced by the nucleus (see, e.g., hyperfine splitting), but intra-nuclear phenomenon such as fission and fusion are considered part of high energy physics.

Molecular physics focuses on multi-atomic structures and their internal and external interactions with matter and light. Optical physics is distinct from optics in that it tends to focus not on the control of classical light fields by macroscopic objects, but on the fundamental properties of optical fields and their interactions with matter in the microsc

Condensed matter in Physics

Condensed matter

Velocity-distribution data of a gas of rubidium atoms, confirming the discovery of a new phase of matter, the Bose–Einstein condensate

Velocity-distribution data of a gas of rubidium atoms, confirming the discovery of a new phase of matter, the Bose–Einstein condensate

Condensed matter physics is the field of physics that deals with the macroscopic physical properties of matter. In particular, it is concerned with the "condensed" phases that appear whenever the number of constituents in a system is extremely large and the interactions between the constituents are strong. The most familiar examples of condensed phases are solids and liquids, which arise from the bonding and electromagnetic force between atoms. More exotic condensed phases include the superfluid and the Bose-Einstein condensate found in certain atomic systems at very low temperature, the superconducting phase exhibited by conduction electrons in certain materials, and the ferromagnetic and antiferromagnetic phases of spins on atomic lattices.

Condensed matter physics is by far the largest field of contemporary physics. Much progress has also been made in theoretical condensed matter physics. By one estimate, one third of all American physicists identify themselves as condensed matter physicists. Historically, condensed matter physics grew out of solid-state physics, which is now considered one of its main subfields. The term condensed matter physics was apparently coined by Philip Anderson when he renamed his research group — previously solid-state theory — in 1967. In 1978, the Division of Solid State Physics at the American Physical Society was renamed as the Division of Condensed Matter Physics.[22] Condensed matter physics has a large overlap with chemistry, materials science, nanotechnology and engineering.

Research fields in Physics

Research fields

Contemporary research in physics can be broadly divided into condensed matter physics; atomic, molecular, and optical physics; particle physics; and astrophysics. Some physics departments also support research in Physics education. Since the twentieth century, the individual fields of physics have become increasingly specialized, and today most physicists work in a single field for their entire careers. "Universalists" such as Albert Einstein (18791955) and Lev Landau (19081968), who worked in multiple fields of physics, are now very rare.[21] A table of the major fields of physics, along with their subfields and the theories they employ, can be found here

Theory and experiment in Physics

Theory and experiment

The culture of physics research differs from most sciences in the separation of theory and experiment. Since the twentieth century, most individual physicists have specialized in either theoretical physics or experimental physics. The great Italian physicist Enrico Fermi (19011954), who made fundamental contributions to both theory and experimentation in nuclear physics, was a notable exception. In contrast, almost all the successful theorists in biology and chemistry (e.g. American quantum chemist and biochemist Linus Pauling) have also been experimentalists, although this is changing as of late.

Theorists seek to develop mathematical models that both agree with existing experiments and successfully predict future results, while experimentalists devise and perform experiments to test theoretical predictions and explore new phenomena. Although theory and experiment are developed separately, they are strongly dependent upon each other. Progress in physics frequently comes about when experimentalists make a discovery that existing theories cannot explain, or when new theories generate experimentally testable predictions. Theorists working closely with experimentalists frequently employ phenomenology.

Theoretical physics is closely related to mathematics, which provides the language of physical theories, and large areas of mathematics, such as calculus, have been invented specifically to solve problems in physics. Theorists may also rely on numerical analysis and computer simulations, which play an ever richer role in the formulation of physical models. The fields of mathematical and computational physics are active areas of research. Theoretical physics has historically rested on philosophy and metaphysics; electromagnetism was unified this way.[20] Thus physicists may speculate with multidimensional spaces and parallel universes, and from this, hypothesize theories.

Experimental physics informs, and is informed by, engineering and technology. Experimental physicists involved in basic research design and perform experiments with equipment such as particle accelerators and lasers, whereas those involved in applied research often work in industry, developing technologies such as magnetic resonance imaging (MRI) and transistors. Feynman has noted that experimentalists may seek areas which are not well explored by theorists.

Quantum mechanics in Physics

Quantum mechanics

Main article: Quantum mechanics
The first few hydrogen atom electron orbitals shown as cross-sections with color-coded probability density

The first few hydrogen atom electron orbitals shown as cross-sections with color-coded probability density

Quantum mechanics is the branch of physics treating atomic and subatomic systems and their interaction with radiation in terms of observable quantities. It is based on the observation that all forms of energy are released in discrete units or bundles called "quanta". Remarkably, quantum theory typically permits only probable or statistical calculation of the observed features of subatomic particles, understood in terms of wavefunctions. The Schrödinger equation plays the role in quantum mechanics that Newton's laws and conservation of energy serve in classical mechanics — i.e., it predicts the future behavior of a dynamic system — and is a wave equation in terms of the wavefunction which predicts analytically and precisely the probability of events or outcomes.

According to the older theories of classical physics, energy is treated solely as a continuous phenomenon, while matter is assumed to occupy a specific region of space and to move in a continuous manner. According to the quantum theory, energy is held to be emitted and absorbed in tiny, discrete amounts. An individual bundle or packet of energy, called a quantum (pl. quanta), thus behaves in some situations much like particles of matter; particles are found to exhibit certain wavelike properties when in motion and are no longer viewed as localized in a given region but rather as spread out to some degree. For example, the light, or electromagnetic radiation, emmited or absorbed by an atom has only certain frequencies (or wavelengths), as can be seen from the line spectrum associated with the chemical element represented by that atom. The quantum theory shows that those frequencies correspond to definite energies of the light quanta, or photons, and result from the fact that the electrons of the atom can have only certain allowed energy values, or levels; when an electron changes from one allowed level to another, a quantum of energy is emitted or absorbed whose frequency is directly proportional to the energy difference between the two levels.

The formalism of quantum mechanics was developed during the 1920s. In 1924, Louis de Broglie proposed that not only do light waves sometimes exhibit particle-like properties, as in the photoelectric effect and atomic spectra, but particles may also exhibit wavelike properties. Two different formulations of quantum mechanics were presented following de Broglie’s suggestion. The wave mechanics of Erwin Schrödinger (1926) involves the use of a mathematical entity, the wave function, which is related to the probability of finding a particle at a given point in space. The matrix mechanics of Werner Heisenberg (1925) makes no mention of wave functions or similar concepts but was shown to be mathematically equivalent to Schrödinger’s theory. A particularly important discovery of the quantum theory is the uncertainty principle, enunciated by Heisenberg in 1927, which places an absolute theoretical limit on the accuracy of certain measurements; as a result, the assumption by earlier scientists that the physical state of a system could be measured exactly and used to predict future states had to be abandoned. Quantum mechanics was combined with the theory of relativity in the formulation of P. A. M. Dirac (1928), which, in addition, predicted the existence of antiparticles. Other developments of the theory include quantum statistics, presented in one form by Einstein and S. N. Bose (the Bose-Einstein statistics) and in another by Dirac and Enrico Fermi (the Fermi-Dirac statistics); quantum electrodynamics, concerned with interactions between charged particles and electromagnetic fields; its generalization, quantum field theory; and quantum electronics. The discovery of quantum mechanics in the early 20th century revolutionized physics, and quantum mechanics is fundamental to most areas of current research.

Thermodynamics and statistical mechanics in Physics

Thermodynamics and statistical mechanics

Typical thermodynamic system - heat moves from hot (boiler) to cold (condenser) and work is extracted

Typical thermodynamic system - heat moves from hot (boiler) to cold (condenser) and work is extracted

Thermodynamics studies the effects of changes in temperature, pressure, and volume on physical systems at the macroscopic scale, and the transfer of energy as heat.[13][14] Historically, thermodynamics developed out of need to increase the efficiency of early steam engines.[15]

The starting point for most thermodynamic considerations are the laws of thermodynamics, which postulate that energy can be exchanged between physical systems as heat or work.[16] They also postulate the existence of a quantity named entropy, which can be defined for any system.[17] In thermodynamics, interactions between large ensembles of objects are studied and categorized. Central to this are the concepts of system and surroundings. A system is composed of particles, whose average motions define its properties, which in turn are related to one another through equations of state. Properties can be combined to express internal energy and thermodynamic potentials, which are useful for determining conditions for equilibrium and spontaneous processes.

Statistical mechanics analyzes macroscopic systems by applying statistical principles to their microscopic constituents. It provides a framework for relating the microscopic properties of individual atoms and molecules to the macroscopic or bulk properties of materials that can be observed in everyday life. Thermodynamics can be explained as a natural result of statistics and mechanics (classical and quantum) at the microscopic level. In this way, the gas laws can be derived, from the assumption that a gas is a collection of individual particles, as hard spheres with mass. Conversely, if the individual particles are also considered to have charge, then the individual accelerations of those particles will cause the emission of light. It was these considerations which caused Max Planck to formulate his law of blackbody radiation,[18] but only with the assumption that the spectrum of radiation emitted from these particles is not continuous in frequency, but rather quantized.[19]

Relativity in Physics

Relativity

High-precision test of general relativity by the Cassini space probe (artist's impression): radio signals sent between the Earth and the probe (green wave) are delayed by the warpage of space and time (blue lines).

High-precision test of general relativity by the Cassini space probe (artist's impression): radio signals sent between the Earth and the probe (green wave) are delayed by the warpage of space and time (blue lines).

Relativity is a generalization of classical mechanics that describes fast-moving or very massive systems. It includes special and general relativity.

The theory of special relativity was proposed in 1905 by Albert Einstein in his article "On the Electrodynamics of Moving Bodies". The title of the article refers to the fact that special relativity resolves an inconsistency between Maxwell's equations and classical mechanics. The theory is based on two postulates: (1) that the mathematical forms of the laws of physics are invariant in all inertial systems; and (2) that the speed of light in a vacuum is constant and independent of the source or observer. Reconciling the two postulates requires a unification of space and time into the frame-dependent concept of spacetime.

Special relativity has a variety of surprising consequences that seem to violate common sense, but all have been experimentally verified. It overthrows Newtonian notions of absolute space and time by stating that distance and time depend on the observer, and that time and space are perceived differently, depending on the observer. The theory leads to the assertion of change in mass, dimension, and time with increased velocity. It also yields the equivalence of matter and energy, as expressed in the mass-energy equivalence formula E = mc2, where c is the speed of light in a vacuum. Special relativity and the Galilean relativity of Newtonian mechanics agree when velocities are small compared to the speed of light. Special relativity does not describe gravitation; however, it can handle accelerated motion in the absence of gravitation.[10]

General relativity is the geometrical theory of gravitation published by Albert Einstein in 1915/16.[11][12] It unifies special relativity, Newton's law of universal gravitation, and the insight that gravitation can be described by the curvature of space and time. In general relativity, the curvature of space-time is produced by the energy of matter and radiation. General relativity is distinguished from other metric theories of gravitation by its use of the Einstein field equations to relate space-time content and space-time curvature. Local Lorentz Invariance requires that the manifolds described in GR be 4-dimensional and Lorentzian instead of Riemannian. In addition, the principle of general covariance forces that mathematics be expressed using tensor calculus.

The first success of general relativity was in explaining the anomalous perihelion precession of Mercury. Then in 1919, Sir Arthur Eddington announced that observations of stars near the eclipsed Sun confirmed general relativity's prediction that massive objects bend light. Since then, many other observations and experiments have confirmed many of the predictions of general relativity, including gravitational time dilation, the gravitational redshift of light, signal delay, and gravitational radiation. In addition, numerous observations are interpreted as confirming one of general relativity's most mysterious and exotic predictions, the existence of black holes.

Electromagnetism in Physics

Electromagnetism

high voltages and currents.

Electromagnetism encompasses various real-world electromagnetic phenomena. For example,

Main article: Electromagnetism
See also: Optics
Magnetic lines of force of a bar magnet shown by iron filings on paper

Magnetic lines of force of a bar magnet shown by iron filings on paper

Electromagnetism describes the interaction of charged particles with electric and magnetic fields. It can be divided into electrostatics, the study of interactions between charges at rest, and electrodynamics, the study of interactions between moving charges and radiation. The classical theory of electromagnetism is based on the Lorentz force law and Maxwell's equations.

Electrostatics is the study of phenomena associated with charged bodies at rest. As described by Coulomb’s law, such bodies exert forces on each other. Their behavior can be analyzed in terms of the concept of an electric field surrounding any charged body, such that another charged body placed within the field is subject to a force proportional to the magnitude of its own charge and the magnitude of the field at its location. Whether the force is attractive or repulsive depends on the polarity of the charge. Electrostatics has many applications, ranging from the analysis of phenomena such as thunderstorms to the study of the behavior of electron tubes.

Electrodynamics is the study of phenomena associated with charged bodies in motion and varying electric and magnetic fields. Since a moving charge produces a magnetic field, electrodynamics is concerned with effects such as magnetism, electromagnetic radiation, and electromagnetic induction, including such practical applications as the electric generator and the electric motor. This area of electrodynamics, known as classical electrodynamics, was first systematically explained by James Clerk Maxwell, and Maxwell’s equations describe the phenomena of this area with great generality. A more recent development is quantum electrodynamics, which incorporates the laws of quantum theory in order to explain the interaction of electromagnetic radiation with matter. Dirac, Heisenberg, and Pauli were pioneers in the formulation of quantum electrodynamics. Relativistic electrodynamics accounts for relativistic corrections to the motions of charged particles when their speeds approach the speed of light. It applies to phenomena involved with particle accelerators and electron tubes carrying

light is an oscillating electromagnetic field that is radiated from accelerating charged particles. Aside from gravity, most of the forces in everyday experience are ultimately a result of electromagnetism.

The principles of electromagnetism find applications in various allied disciplines such as microwaves, antennas, electric machines, satellite communications, bioelectromagnetics, plasmas, nuclear research, fiber optics, electromagnetic interference and compatibility, electromechanical energy conversion, radar meteorology, and remote sensing. Electromagnetic devices include transformers, electric relays, radio/TV, telephones, electric motors, transmission lines, waveguides, optical fibers, and lasers.

Classical mechanics in Physics

Classical mechanics

Main article: Classical mechanics
A pulley uses the principle of mechanical advantage so that a small force over a large distance can lift a heavy weight over a shorter distance.

A pulley uses the principle of mechanical advantage so that a small force over a large distance can lift a heavy weight over a shorter distance.

Classical mechanics is a model of the physics of forces acting upon bodies. It is often referred to as "Newtonian mechanics" after Isaac Newton and his laws of motion. Mechanics is subdivided into statics, which models objects at rest, kinematics, which models objects in motion, and dynamics, which models objects subjected to forces. The classical mechanics of continuous and deformable objects is continuum mechanics, which can itself be broken down into solid mechanics and fluid mechanics according to the state of matter being studied. The latter, the mechanics of liquids and gases, includes hydrostatics, hydrodynamics, pneumatics, aerodynamics, and other fields.

Classical mechanics produces accurate results within the domain of everyday experience. It is superseded by relativistic mechanics for systems moving at large velocities near the speed of light, quantum mechanics for systems at small distance scales, and relativistic quantum field theory for systems with both properties. Nevertheless, classical mechanics is still useful, because it is much simpler and easier to apply than these other theories, and it has a very large range of approximate validity. Classical mechanics can be used to describe the motion of human-sized objects (such as tops and baseballs), many astronomical objects (such as planets and galaxies), and certain microscopic objects (such as organic molecules).

An important concept of mechanics is the identification of conserved energy and momentum, which lead to the Lagrangian and Hamiltonian reformulations of Newton's laws. Theories such as fluid mechanics and the kinetic theory of gases result from applying classical mechanics to macroscopic systems. A relatively recent result of considerations concerning the dynamics of nonlinear systems is chaos theory, the study of systems in which small changes in a variable may have large effects. Newton's law of universal gravitation, formulated within classical mechanics, explained Kepler's laws of planetary motion and helped make classical mechanics an important element of the Scientific

Fundamental Branches of Theory in Physics

Fundamental Branches of Theory in Physics

Domains of physics theories

Domains of physics theories

Although physics encompasses a wide variety of phenomena, the fundamental branches of physics are classical mechanics, electromagnetism (including optics), relativity, thermodynamics, and quantum mechanics. Each of these theories has been tested in numerous experiments and proven to be an accurate model of nature within its domain of validity. For example, classical mechanics correctly describes the motion of objects in everyday experience, but it breaks down at the atomic scale, where it is superseded by quantum mechanics, and at speeds approaching the speed of light, where relativistic effects become important. While these theories have long been well-understood, they continue to be areas of active research — for example, a remarkable aspect of classical mechanics known as chaos theory was developed in the 20th century, three centuries after the original formulation of mechanics by Isaac Newton (1642–1727). The basic theories form a foundation for the study and research of more specialized topics. A table of these theories, along with many of the concepts they employ, can be found here.

Physics Introduction Class

Physics Introduction Class

This is a discussion of a present category of science. For the work by Aristotle, see Physics (Aristotle). For a history of the science, see History of physics. For the etymology of the word physics, see physis (φύσις).
A magnet levitating above a high-temperature superconductor demonstrates the Meissner effect.

A magnet levitating above a high-temperature superconductor demonstrates the Meissner effect.

Physics is the science of matter[1] and its motion[2][3] as well as space and time[4][5] — the science that deals with concepts such as force, energy, mass, and charge. Physics is an experimental science;[6] it is the general analysis of nature. Its purpose is to understand how the world around us behaves.[7]

Physics is one of the oldest academic disciplines. It emerged as a modern science in the 17th century,[8] and through its modern subfield of astronomy, it may be the oldest of all.[9] Those who work professionally in the field are known as physicists.

Advances in physics often translate to the technological sector, and sometimes influence the other sciences, as well as mathematics and philosophy. For example, advances in the understanding of electromagnetism have led to the widespread use of electrically driven devices (televisions, computers, home appliances etc.); advances in thermodynamics led to the development of motorized transport; and advances in mechanics led to the development of calculus, quantum chemistry, and the use of instruments such as the electron microscope in microbiology.

Today, physics is a broad and highly developed subject. Research is often divided into four subfields: condensed matter physics; atomic, molecular, and optical physics; high-energy physics; and astronomy and astrophysics. Most physicists also specialize in either theoretical or experimental research, the former dealing with the development of new theories, and the latter dealing with the experimental testing of theories and the discovery of new phenomena. Despite important discoveries during the last four centuries, there are a number of unsolved problems in physics, and many areas of active research.

Early Modern English literature

Early Modern English literature
The [[Elizabethan era]] saw a great flourishing of literature, especially in the field of [[drama]]. The [[Italian Renaissance]] had rediscovered the ancient Greek and Roman theater, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and [[miracle plays]] of the [[Middle Ages]]. The Italians were particularly inspired by [[Seneca the Younger|Seneca]] (a major tragic playwright and philosopher, the tutor of [[Nero]]) and [[Plautus]] (its comic clichés, especially that of the boasting soldier had a powerful influence on the Renaissance and after). However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the stage. In Seneca's plays such scenes were only acted by the characters. But the English playwrights were intrigued by Italian model: a conspicuous community of Italian actors had settled in London and [[Giovanni Florie]] had brought much of the [[Italian language]] and culture to England. It is also true that the Elizabethan Era was a very violent age and that the high incidence of political assassinations in [[Renaissance]] Italy (embodied by [[Niccolò Machiavelli]]'s ''[[The Prince]]'') did little to calm fears of polishð plots. As a result, representing that kind of violence on the stage was probably more cathartic for the Elizabethan spectator. Following earlier Elizabethan plays such as ''[[Gorboduc (play)|Gorboduc]]'' by [[Thomas Sackville, 1st Earl of Dorset|Sackville]] & [[Thomas Norton|Norton]] and ''[[The Spanish Tragedy]]'' by [[Thomas Kyd|Kyd]] that was to provide much material for ''[[Hamlet]]'', [[William Shakespeare]] stands out in this period as a [[poet]] and [[playwright]] as yet unsurpassed. Shakespeare was not a man of letters by profession, and probably had only some grammar school education. He was neither a lawyer, nor an aristocrat as the "university wits" that had monopolised the English stage when he started writing. But he was very gifted and incredibly versatile, and he surpassed "professionals" as [[Robert Greene (16th century)|Robert Greene]] who mocked this "shake-scene" of low origins. Though most dramas met with great success, it is in his later years (marked by the early reign of [[James I of England|James I]]) that he wrote what have been considered his greatest plays: ''[[Hamlet]]'', ''[[Romeo and Juliet]]'', ''[[Othello]]'', ''[[King Lear]]'', ''[[Macbeth]]'', ''[[Antony and Cleopatra]]'', and ''[[The Tempest]]'', a [[tragicomedy]] that inscribes within the main drama a brilliant pageant to the new king. This 'play within a play' takes the form of a [[masque]], an interlude with music and dance coloured by the novel special effects of the new indoor theatres. Critics have shown that this masterpiece, which can be considered a dramatic work in its own right, was written for James's court, if not for the monarch himself. The magic arts of Prospero, on which depend the outcome of the plot, hint at the fine relationship between [[art]] and [[nature]] in poetry. Significantly for those times (the arrival of the first colonists in [[United States|America]]), ''The Tempest'' is (though not apparently) set on a Bermudan island, as research on the ''Bermuda Pamphlets'' (1609) has shown, linking Shakespeare to the ''Virginia Company itself''. The "News from the New World", as Frank Kermode points out, were already out and Shakespeare's interest in this respect is remarkable. Shakespeare also popularized the [[English sonnet]] which made significant changes to [[Petrarch]]'s model.

The sonnet was introduced into English by [[Thomas Wyatt (poet)|Thomas Wyatt]] in the early 16th century. Poems intended to be set to music as songs, such as by [[Thomas Campion]], became popular as printed literature was disseminated more widely in households. ''See [[English Madrigal School]]''. Other important figures in [[Elizabethan theatre]] include [[Christopher Marlowe]], [[Thomas Dekker]], [[John Fletcher (playwright)|John Fletcher]] and [[Francis Beaumont]]. Had Marlowe (1564-1593) not been stabbed at twenty-nine in a tavern brawl, says [[Anthony Burgess]], he might have rivalled, if not equalled Shakespeare himself for his poetic gifts. Remarkably, he was born only a few weeks before Shakespeare and must have known him well. Marlowe's subject matter, though, is different: it focuses more on the moral drama of the renaissance man than any other thing. Marlowe was fascinated and terrified by the new frontiers opened by modern [[science]]. Drawing on German lore, he introduced Dr. Faustus to England, a scientist and magician who is obsessed by the thirst of knowledge and the desire to push man's technological power to its limits. He acquires supernatural gifts that even allow him to go back in time and wed Helen of [[Troy]], but at the end of his twenty-four years' covenant with the [[devil]] he has to surrender his [[soul]] to him. His dark heroes may have something of Marlowe himself, whose untimely death remains a mystery. He was known for being an atheist, leading a lawless life, keeping many mistresses, consorting with ruffians: living the 'high life' of [[London]]'s underworld. But many suspect that this might have been a cover-up for his activities as a secret agent for [[Elizabeth I of England|Elizabeth I]], hinting that the 'accidental stabbing' might have been a premeditated assassination by the enemies of [[The Crown]]. Beaumont and Fletcher are less-known, but it is almost sure that they helped Shakespeare write some of his best dramas, and were quite popular at the time. It is also at this time that the [[city comedy]] genre develops. In the later 16th century English poetry was characterised by elaboration of language and extensive allusion to classical myths. The most important poets of this era include [[Edmund Spenser]] and [[Sir Philip Sidney]]. Elizabeth herself, a product of [[Renaissance humanism]], produced occasional poems such as ''[[On Monsieur’s Departure]]''.

[[Canons of Renaissance poetry]]

===Jacobean literature===
After Shakespeare's death, the poet and dramatist [[Ben Jonson]] was the leading literary figure of the [[Jacobean era]] (The reign of [[James I of England|James I]]). However, Jonson's aesthetics hark back to the Middle Ages rather than to the Tudor Era: his characters embody the [[Humours|theory of humours]]. According to this contemporary medical theory, behavioral differences result from a prevalence of one of the body's four "humours" (blood, phlegm, black bile, and yellow bile) over the other three; these humours correspond with the four elements of the universe: air, water, fire, and earth. This leads Jonson to exemplify such differences to the point of creating types, or clichés.

Jonson is a master of style, and a brilliant satirist. His ''Volpone'' shows how a group of scammers are fooled by a top con-artist, vice being punished by vice, virtue meting out its reward.

Others who followed Jonson's style include [[Beaumont and Fletcher]], who wrote the brilliant comedy, ''[[The Knight of the Burning Pestle]]'', a mockery of the rising middle class and especially of those nouveaux riches who pretend to dictate literary taste without knowing much literature at all. In the story, a couple of grocers wrangle with professional actors to have their illiterate son play a leading role in a drama. He becomes a knight-errant wearing, appropriately, a burning pestle on his shield. Seeking to win a princess' heart, the young man is ridiculed much in the way [[Don Quixote]] was. One of Beaumont and Fletcher's chief merits was that of realising how feudalism and chivalry had turned into snobbery and make-believe and that new social classes were on the rise.

Another popular style of theatre during Jacobean times was the [[revenge play]], popularized by [[John Webster]] and [[Thomas Kyd]]. [[George Chapman]] wrote a couple of subtle revenge tragedies, but must be remembered chiefly on account of his famous translation of [[Homer]], one that had a profound influence on all future English literature, even inspiring [[John Keats]] to write one of his best sonnets.

The [[King James Version of the Bible|King James Bible]], one of the most massive translation projects in the history of English up to this time, was started in 1604 and completed in 1611. It represents the culmination of a tradition of [[English translations of the Bible|Bible translation into English]] that began with the work of [[William Tyndale]]. It became the standard [[Bible]] of the [[Church of England]], and some consider it one of the greatest literary works of all time. This project was headed by James I himself, who supervised the work of forty-seven scholars. Although many other translations into English have been made, some of which are widely considered more accurate, many aesthetically prefer the King James Bible, whose meter is made to mimic the original Hebrew verse.

Besides Shakespeare, whose figure towers over the early 1600s, the major poets of the early 17th century included [[John Donne]] and the other [[Metaphysical poet]]s. Influenced by continental [[Baroque]], and taking as his subject matter both Christian mysticism and eroticism, metaphysical poetry uses unconventional or "unpoetic" figures, such as a compass or a mosquito, to reach surprise effects. For example, in "A Valediction: Forbidding Mourning", one of Donne's [[Songs and Sonnets]], the points of a compass represent two lovers, the woman who is home, waiting, being the centre, the farther point being her lover sailing away from her. But the larger the distance, the more the hands of the compass lean to each other: separation makes love grow fonder. The [[paradox]] or the [[oxymoron]] is a constant in this poetry whose fears and anxieties also speak of a world of spiritual certainties shaken by the modern discoveries of geography and science, one that is no longer the centre of the universe. Apart from the metaphysical poetry of Donne, the 17th century is also celebrated for its Baroque poetry. Baroque poetry served the same ends as the art of the period; the Baroque style is lofty, sweeping, epic, and religious. Many of these poets have an overtly Catholic sensibility (namely Richard Crashaw) and wrote poetry for the Catholic counter-Reformation in order to establish a feeling of supremacy and mysticism that would ideally persuade newly emerging Protestant groups back toward Catholicism.

===Caroline and Cromwellian literature===
The turbulent years of the mid-17th century, during the reign of [[Charles I of England|Charles I]] and the subsequent [[Commonwealth of England|Commonwealth]] and [[The Protectorate|Protectorate]], saw a flourishing of political literature in English. [[Pamphlets]] written by sympathisers of every faction in the [[English civil war]] ran from vicious personal attacks and polemics, through many forms of [[propaganda]], to high-minded schemes to reform the nation. Of the latter type, ''[[Leviathan]]'' by [[Thomas Hobbes]] would prove to be one of the most important works of British [[political philosophy]]. Hobbes's writings are some of the few political works from the era which are still regularly published while [[John Bramhall]], who was Hobbes's chief critic, is largely forgotten. The period also saw a flourishing of [[news book]]s, the precursors to the [[History of British newspapers|British newspaper]], with journalists such as [[Henry Muddiman]], [[Marchamont Needham]], and [[John Birkenhead]] representing the views and activities of the contending parties. The frequent arrests of authors and the suppression of their works, with the consequence of foreign or underground printing, led to the proposal of a licensing system. The ''[[Areopagitica]]'', a political pamphlet by [[John Milton]], was written in opposition to licensing and is regarded as one of the most eloquent defenses of [[press freedom]] ever written.

Specifically in the reign of Charles I (1625 – 42), [[English Renaissance theatre]] experienced its concluding efflorescence. The last works of [[Ben Jonson]] appeared on stage and in print, along with the final generation of major voices in the drama of the age: [[John Ford (dramatist)|John Ford]], [[Philip Massinger]], [[James Shirley]], and [[Richard Brome]]. With the closure of the theatres at the start of the [[English Civil War]] in 1642, drama was suppressed for a generation, to resume only in the altered society of the [[English Restoration]] in 1660.

Other forms of literature written during this period are usually ascribed political [[subtext]]s, or their authors are grouped along political lines. The [[cavalier poets]], active mainly before the civil war, owed much to the earlier school of [[metaphysical poets]]. The forced retirement of royalist officials after the execution of Charles I was a good thing in the case of [[Izaak Walton]], as it gave him time to work on his book ''[[The Compleat Angler]]''. Published in 1653, the book, ostensibly a guide to fishing, is much more: a meditation on life, leisure, and contentment. The two most important poets of [[Oliver Cromwell]]'s England were [[Andrew Marvell]] and John Milton, with both producing works praising the new government; such as Marvell's ''An Horatian Ode upon Cromwell's Return from Ireland''. Despite their republican beliefs they escaped punishment upon the Restoration of [[Charles II of England|Charles II]], after which Milton wrote some of his greatest poetical works (with any possible political message hidden under [[allegory]]). [[Thomas Browne]] was another writer of the period; a learned man with an extensive library, he wrote prolifically on science, religion, medicine and the esoteric.


===Restoration literature===
[[Image:Milton paradise.jpg|thumb|Milton's [[Paradise Lost]] tells a story of pride and rebellion.]]
{{main|Restoration Literature}}

Restoration literature includes both ''Paradise Lost'' and the Earl of Rochester's ''Sodom,'' the high spirited sexual comedy of ''[[The Country Wife]]'' and the moral wisdom of ''[[Pilgrim's Progress]].'' It saw Locke's ''[[Treatises on Government]],'' the founding of the [[Royal Society]], the experiments of [[Robert Boyle]] and the holy meditations of Boyle, the [[Short View of the Immorality and Profaneness of the English Stage|hysterical attacks on theatres]] from [[Jeremy Collier]], the pioneering of literary criticism from Dryden, and the first newspapers. The official break in literary culture caused by censorship and radically moralist standards under Cromwell's Puritan regime created a gap in literary tradition, allowing a seemingly fresh start for all forms of literature after the Restoration. During the Interregnum, the royalist forces attached to the court of [[Charles I of England|Charles I]] went into exile with the twenty-year old [[Charles II of England|Charles II]]. The nobility who travelled with Charles II were therefore lodged for over a decade in the midst of the continent's literary scene. Charles spent his time attending plays in France, and he developed a taste for [[Spanish language|Spanish]] plays. Those nobles living in Holland began to learn about mercantile exchange as well as the tolerant, [[Rationalism|rationalist]] prose debates that circulated in that officially tolerant nation.

The largest and most important poetic form of the era was satire. In general, publication of satire was done anonymously. There were great dangers in being associated with a satire. On the one hand, defamation law was a wide net, and it was difficult for a satirist to avoid prosecution if he were proven to have written a piece that seemed to criticize a noble. On the other hand, wealthy individuals would respond to satire as often as not by having the suspected poet physically attacked by ruffians. John Dryden was set upon for being merely ''suspected'' of having written the ''Satire on Mankind.'' A consequence of this anonymity is that a great many poems, some of them of merit, are unpublished and largely unknown.

Prose in the Restoration period is dominated by [[Christianity|Christian]] religious writing, but the Restoration also saw the beginnings of two genres that would dominate later periods: [[fiction]] and journalism. Religious writing often strayed into political and economic writing, just as political and economic writing implied or directly addressed religion. The Restoration was also the time when [[John Locke]] wrote many of his philosophical works. Locke's empiricism was an attempt at understanding the basis of human understanding itself and thereby devising a proper manner for making sound decisions. These same scientific methods led Locke to his three ''Treatises on Government,'' which later inspired the thinkers in the [[American Revolution]]. As with his work on understanding, Locke moves from the most basic units of society toward the more elaborate, and, like Thomas Hobbes, he emphasizes the plastic nature of the social contract. For an age that had seen absolute monarchy overthrown, democracy attempted, democracy corrupted, and limited monarchy restored, only a flexible basis for government could be satisfying. The Restoration moderated most of the more strident sectarian writing, but radicalism persisted after the Restoration. Puritan authors such as [[John Milton]] were forced to retire from public life or adapt, and those [[Diggers|Digger]], [[Fifth Monarchy Men|Fifth Monarchist]], [[Levellers|Leveller]], [[Quakers|Quaker]], and [[Anabaptists|Anabaptist]] authors who had preached against monarchy and who had participated directly in the [[regicide]] of [[Charles I of England|Charles I]] were partially suppressed. Consequently, violent writings were forced underground, and many of those who had served in the Interregnum attenuated their positions in the Restoration. [[John Bunyan]] stands out beyond other religious authors of the period. Bunyan's ''[[The Pilgrim's Progress]]'' is an [[allegory]] of personal salvation and a guide to the Christian life. Instead of any focus on [[eschatology]] or divine retribution, Bunyan instead writes about how the individual [[saint]] can prevail against the temptations of mind and body that threaten damnation. The book is written in a straightforward narrative and shows influence from both [[drama]] and [[biography]], and yet it also shows an awareness of the grand allegorical tradition found in [[Edmund Spenser]]. During the Restoration period, the most common manner of getting news would have been a [[broadsheet]] publication. A single, large sheet of paper might have a written, usually partisan, account of an event. However, the period saw the beginnings of the first professional and periodical (meaning that the publication was regular) journalism in England. Journalism develops late, generally around the time of [[William III of England|William of Orange]]'s claiming the throne in 1689. Coincidentally or by design, England began to have newspapers just when William came to court from [[Amsterdam]], where there were already newspapers being published.
[[Image:Behn Oroonoko title page.1688.jpg|left|thumb|150px|First edition of ''Oroonoko'', 1688.]]
It is impossible to satisfactorily date the beginning of the novel in English. However, long fiction and fictional biographies began to distinguish themselves from other forms in England during the Restoration period. An existing tradition of ''Romance'' fiction in [[France]] and [[Spain]] was popular in England. The "Romance" was considered a feminine form, and women were taxed with reading "novels" as a vice. One of the most significant figures in the rise of the novel in the Restoration period is [[Aphra Behn]]. She was not only the first professional female novelist, but she may be among the first professional novelists of either sex in England. Behn's most famous novel was ''[[Oroonoko]]'' in 1688. This was a biography of an entirely fictional African king who had been enslaved in [[Suriname]]. Behn's novels show the influence of [[tragedy]] and her experiences as a dramatist.

As soon as the previous Puritan regime's ban on public stage representations was lifted, the drama recreated itself quickly and abundantly. The most famous plays of the early Restoration period are the unsentimental or "hard" comedies of [[John Dryden]], [[William Wycherley]], and [[George Etherege]], which reflect the atmosphere at Court, and celebrate an aristocratic [[machismo|macho]] lifestyle of unremitting sexual intrigue and conquest. After a sharp drop in both quality and quantity in the 1680s, the mid-90s saw a brief second flowering of the drama, especially comedy. Comedies like [[William Congreve (playwright)|William Congreve]]'s ''[[Love For Love]]'' (1695) and ''[[The Way of the World]]'' (1700), and [[John Vanbrugh]]'s ''[[The Relapse]]'' (1696) and ''[[The Provoked Wife]]'' (1697) were "softer" and more middle-class in ethos, very different from the aristocratic [[extravaganza]] twenty years earlier, and aimed at a wider audience. The playwrights of the 1690s set out to appeal to more socially mixed audiences with a strong [[middle-class]] element, and to female spectators, for instance by moving the war between the sexes from the arena of intrigue into that of marriage. The focus in comedy is less on young lovers outwitting the older generation, more on marital relations after the wedding bells.

Diarists [[John Evelyn]] and [[Samuel Pepys]] depicted everyday London life and the cultural scene of the times.

===Augustan literature===
{{main|Augustan literature}}

The term [[Augustan literature]] derives from authors of the 1720s and 1730's themselves, who responded to a term that [[George I of England]] preferred for himself. While George I meant the title to reflect his might, they instead saw in it a reflection of [[Ancient Rome]]'s transition from rough and ready literature to highly political and highly polished literature. Because of the aptness of the metaphor, the period from 1689 - 1750 was called "the Augustan Age" by critics throughout the 18th century (including [[Voltaire]] and [[Oliver Goldsmith]]). The literature of the period is overtly political and thoroughly aware of critical dictates for literature. It is an age of exuberance and scandal, of enormous energy and inventiveness and outrage, that reflected an era when English, Scottish, and Irish people found themselves in the midst of an expanding economy, lowering barriers to education, and the stirrings of the [[Industrial Revolution]].

The most outstanding poet of the age is [[Alexander Pope]], but Pope's excellence is partially in his constant battle with other poets, and his serene, seemingly neo-Classical approach to poetry is in competition with highly idiosyncratic verse and strong competition from such poets as [[Ambrose Philips]]. It was during this time that [[James Thomson (Seasons)|James Thomson]] produced his melancholy ''The Seasons'' and [[Edward Young]] wrote ''Night Thoughts.'' It is also the era that saw a serious competition over the proper model for the [[pastoral poetry|pastoral]]. In criticism, poets struggled with a doctrine of ''decorum,'' of matching proper words with proper sense and of achieving a diction that matched the gravity of a subject. At the same time, the [[mock-heroic]] was at its zenith. Pope's ''[[Rape of the Lock]]'' and ''[[The Dunciad]]'' are still the greatest mock-heroic poems ever written.

In prose, the earlier part of the period was overshadowed by the development of the English essay. [[Joseph Addison]] and [[Richard Steele]]'s ''[[The Spectator (1711)|The Spectator]]'' established the form of the British periodical essay, inventing the pose of the detached observer of human life who can meditate upon the world without advocating any specific changes in it. However, this was also the time when the English [[novel]], first emerging in the Restoration, developed into a major artform. [[Daniel Defoe]] turned from [[journalism]] and writing criminal lives for the press to writing fictional criminal lives with ''[[Roxana: The Fortunate Mistress|Roxana]]'' and ''[[Moll Flanders]].'' He also wrote a fictional treatment of the travels of [[Alexander Selkirk]] called ''[[Robinson Crusoe]]'' (1719). The novel would benefit indirectly from a tragedy of the stage, and in mid-century many more authors would begin to write novels.

If Addison and Steele overawed one type of prose, then [[Jonathan Swift]] did another. Swift's prose style is unmannered and direct, with a clarity that few contemporaries matched. He was a profound skeptic about the modern world, but he was similarly profoundly distrustful of nostalgia. He saw in history a record of lies and vanity, and he saw in the present a madness of vanity and lies. Core [[Christian]] values were essential, but these values had to be muscular and assertive and developed by constant rejection of the games of confidence men and their gullies. Swift's ''[[A Tale of a Tub]]'' announced his skeptical analysis of the claims of the modern world, and his later prose works, such as his war with Patridge the astrologer, and most of all his derision of pride in ''[[Gulliver's Travels]]'' left only the individual in constant fear and humility safe. After his "exile" to [[Ireland]], Swift reluctantly began defending the Irish people from the predations of [[colonialism]]. His ''[[A Modest Proposal]]'' and the Drapier Letters provoked riots and arrests, but Swift, who had no love of Irish [[Roman Catholicism|Roman Catholics]], was outraged by the abuses and barbarity he saw around him.

Drama in the early part of the period featured the last plays of [[John Vanbrugh]] and [[William Congreve (playwright)|William Congreve]], both of whom carried on the Restoration comedy with some alterations. However, the majority of stagings were of lower [[farce]]s and much more serious and domestic tragedies. [[George Lillo]] and [[Richard Steele]] both produced highly moral forms of tragedy, where the characters and the concerns of the characters were wholly middle class or working class. This reflected a marked change in the audience for plays, as royal patronage was no longer the important part of theatrical success. Additionally, [[Colley Cibber]] and [[John Rich (producer)|John Rich]] began to battle each other for greater and greater spectacles to present on stage. The figure of [[Harlequin]] was introduced, and [[pantomime]] theatre began to be staged. This "low" comedy was quite popular, and the plays became tertiary to the staging. [[Opera]] also began to be popular in London, and there was significant literary resistance to this Italian incursion. This trend was broken only by a few attempts at a new type of comedy. Pope and [[John Arbuthnot]] and [[John Gay]] attempted a play entitled ''Three Hours After Marriage'' that failed. In 1728, however, John Gay returned to the playhouse with ''[[The Beggar's Opera]].'' Gay's opera was in English and retold the story of [[Jack Sheppard]] and [[Jonathan Wild]]. However, it seemed to be an allegory for [[Robert Walpole]] and the directors of the South Sea Company, and so Gay's follow up opera was banned without performance. The [[licensing act]] of 1737 brought an abrupt halt to much of the period's drama, as the theatres were once again brought under state control.

An effect of the Licensing Act was to cause more than one aspiring playwright to switch over to writing novels. [[Henry Fielding]] began to write prose satire and novels after his plays could not pass the censors. [[Henry Brooke]] also turned to novels. In the interim, [[Samuel Richardson]] had produced a novel intended to counter the deleterious effects of novels in ''[[Pamela, or Virtue Rewarded]]'' (1749). Henry Fielding attacked the absurdity of this novel with two of his own works, ''[[Joseph Andrews]]'' and ''[[Shamela]]'', and then countered Richardson's ''[[Clarissa]]'' with ''[[The History of Tom Jones, a Foundling|Tom Jones]]''. Brooke wrote ''[[The Man of Feeling]]'' and indirectly began the [[sentimental novel]]. [[Laurence Sterne]] attempted a Swiftian novel with a unique perspective on the impossibility of biography (the model for most novels up to that point) and understanding with ''[[Tristram Shandy]]'', even as his detractor [[Tobias Smollett]] elevated the [[picaresque novel]] with his works. Each of these novels represents a formal and thematic divergence from the others. Each novelist was in dialogue and competition with the others, and, in a sense, the novel established itself as a diverse and open-formed genre in this explosion of creativity. The most lasting effects of the experimentation would be the psychological realism of Richardson, the bemused narrative voice of Fielding, and the sentimentality of Brooke.